Tag Archives: batman

My Top 5 Favourite Film Comebacks



‘Everyone loves a comeback story’ – that old adage that rings true throughout all entertainment, sports and media. But of course the most distinctive and popularised is that of the comeback movie. Whether it be a director returning to their roots, a franchise reinvigorated or a troubled actor finding their place amongst the stars again – film lovers and critics alike find a certain new adoration and pride for the ‘comeback kid’ when it all comes to fruition.

Without question, this can trace back as far as the 1970’s. But in recent memory there have been some standouts that not only won me over, but redefined careers.

5. Bill Murray (‘Rushmore’)



After possibly one of his greatest films ever, ‘Groundhog Day’. Murray’s form fell flat through a gauntlet of comedy misfires. But he found his second calling in the form of young filmmaker Wes Anderson in 1998. Co-starring in his second feature ‘Rushmore’ as rich tycoon ‘Herman Blume’. Garnering an entire new audience to the King of deadpan delivery. Additionally, he starred opposite Scarlett Johansson in the rather lovely ‘Lost In Translation’, further cementing his return to form. Subsequently, Murray has featured in some capacity in all of Anderson’s subsequent works and continues to be one of the all-time greatest workers in the business.

4. Ben Affleck (‘Gone Baby Gone’)



Before 2007, Affleck couldn’t shake off the gremlins that were plaguing him since the less than favourable reactions to Hollywood turkeys like ‘Gigli’, ‘Jersey Girl’ & ‘Daredevil’ (although I will argue that the director’s cut of the latter being an honestly decent film). After a string of average movies, Affleck took to the director’s chair.

He co-wrote the screenplay and directed the adaptation of the detective novel, ‘Gone Baby Gone’, triumphantly crafting an engrossing and prodding mystery thriller filled with great direction of tension, drama and acting. Affleck now appears to have moved away from that Matt Damon-sized shadow that had been cast over him for sometime. Becoming one of the most respected and impressive new directors of the last decade. 

He continued hitting home runs across the board with his 2010 film ‘The Town’, which he also starred and the multi-Academy Award winning ‘Argo’. Which everyone loves. 

Of course you do. 

3. Josh Brolin (‘No Country For Old Men’)



Josh Brolin is an interesting guy. While being an extremely talented & versatile actor, he never had been able to lose that ‘Goonies’ annotation that had latched onto him since the 80’s. 

In 2007, (opposite Tommy Lee Jones and Javier Bardem) starring as man on the run ‘Llewelyn Moss’ in the Coen’s masterful modern Western ‘No Country For Old Men’ gave him the massive boost he deservedly received. 

Brolin is now enjoying a plethora of notable roles. Including turns in ‘Milk’, ‘True Grit’, a rather awesome one in ‘Men In Black 3’, ‘W.’ and ‘Inherent Vice’. Before the release of Marvel’s ‘Guardians Of The Galaxy’ last year. Josh was cast in a multiple picture deal as ‘Thanos’, considered to be one of the greatest comic book antagonists of all time.

2. Robert Downey Jr. (‘Iron Man’)



RDJ’s story is the ultimate comeback story. Falling prey to addiction in the 90’s up until the early 2000’s. He successfully recovered and went on to star in ‘The Singing Detective’ and delivered well-received performances in the comedy crime film ‘Kiss Kiss Bang Bang’, as well as one of my favourites in David Fincher’s ‘Zodiac’.

Downey’s casting as genius, billionaire, playboy and philanthropist ‘Tony Stark’ aka ‘Iron Man’ for Marvel Studios has redefined what anyone would consider a Hollywood comeback. His casting was not only a great move by the studio, as the actor effortlessly declares on screen that he was born to portray the character. But also for the man himself. 

As the ‘poster boy’ somewhat, he has helped the studio achieve record breaking numbers in the box office and is one of the most overwhelmingly adored figures at the heart of the franchise at the fresh age of 49. You know who he is.

1. Michael Keaton (‘Birdman’)



It’s one thing to make a comeback, it’s another to make one in an Academy Award winning movie. Yet it’s another to make one in a narrative that perhaps parallels that of your own career to an extent.

I’m not going to detail what Mr Keaton had been upto since his Batman days. All I will say is – bravo. One of the most heavily debated movies of the last few years is ‘Birdman’, which scooped the top honours at this year’s Oscars. Keaton unfortunately lost to Eddie Redmayne for the Best Actor gong, which I really felt was a travesty. Not taking away anything from Redmayne’s performance. I just felt ‘The Theory Of Everything’ was purely made to win awards based on its biopic nature. The other brewing argument that surged the internet was whether ‘Boyhood’ or ‘Birdman’ were the more deserving of the Best Film Award. 

While being a truly good piece of filmmaking, and certainly a labour of love of director Richard Linklater. For me, ‘Boyhood’ and its scoping of American life narrative didn’t break new grounds in what I love to see in film. Inarritu’s movie is as ambitious as it is gloriously compelling. Keaton being the driving force behind it. 

Fly high, my friend.


Trailer Tidbits #3 (December 2012)

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Been a little while since my last recap. So let’s make this a gooden! On the radar today is Star Trek sequel – ‘…Into Darkness’, M Night Shyamalan’s latest excuse, ‘After Earth’. And finally, the highly anticipated Superman film – ‘Man Of Steel’.

 

‘Star Trek Into Darkness’ – Dir. J.J Abrams

Much to speculate of course, and many will. But right off the bat I’ll say this is probably the one I’m holding out for next year. The standalone voiceover of the antagonist, whoever it may be, Benedict Cumberbatch, and escalating score really does build this one way way waaaay up. Great stuff. Draw your own conclusion at the trailer’s close.

 

‘After Earth’ – Dir. M. Night Shyamalan

Without question, this could easily be the biggest flop for next year. Haven’t we seen all this before??

 

‘Man Of Steel’ – Dir. Zack Snyder

Ok, Zack, I’m sold. Taking an enormous cue from producer Christopher Nolan, and a nuance that only could be attributed to the work of Terrence Malick – this retelling of the Superman origin could possibly surprise many. It’s not the most action packed of all trailers, but it goes more along the lines of building character and outlining what could be a very interesting and engaging screenplay. Cavill looks the part indeed, and we’re given brief glimpses of Lawrence Fishburne as Perry White, Amy Adams as Lois Lane, and Michael Shannon as the incomparable Zod! Check the fuck out!

 


Nolan Month (Reprise) – ‘Batman Begins’ (2005)

"DEAD OR ALIVE.. YOU'RE COMING WITH ME"

Cast:-

Christian Bale

Gary Oldman

Liam Neeson

Katie Holmes

Michael Caine

Morgan Freeman

Cillian Murphy

In a new millennium where superhero films had become predictable, unrealistic and downright insulting – Chris Nolan creates a new twist on an already compelling, and intricate character of The Batman. Adapted from several of The Dark Knight’s most notable appearances by scribe David Goyer, Batman Begins is a reimagining that has set the bar for nearly every comic book/graphic novel to date since its release in 2005.

Obviously, the most striking difference between this film, and the last entry into the Batman franchise – Joel Schumacher’s nipple-tweaking ‘Batman & Robin’. Is that it’s essentially a superhero film with a realism and humanity never seen before. Complimented with the backdrop of a bustling metropolis (no, not that one) that is suffering from one the worst crime waves in recent history – though without necessarily shying away from the general aesthetics of a superhero movie. Truly fitting for a character repertoire of Batman, and the legend of Gotham.

The story centres of course on Bruce Wayne (Bale), self-exiled in Bhutan after the death of his parents (sorry, but everyone knows…) – searching for a means to avenge their death and fight injustice, while finding his place in the world. He is approached by Liam Neeson’s ‘Ducard’, a member of a ninja sect known as the League of Shadows . Thus begins his journey… The location shooting in this picture is simply stunning and breathtaking – utilising the Icelandic mountains as a stand-in for Bhutan, Nolan and Pfister push the boundaries and find a scale that is worthy of such a larger than life character. A perception of ambiguity on first impression perhaps.. But you hardly expect to see Bruce Wayne jumping off of the top of a mountain…

With Gotham City itself, the main setting for the film. It’s a city of cities – akin to the likes of New York City and London in terms of its architecture and streets. A far cry from the spooky, ‘eerieness’ of Burton’s Gotham. Giving Batman Begins a grounded, more personally relatable backdrop. As you would initially believe from the title – the narrative follows Bruce Wayne as he begins his journey to become the vigilante ‘Batman’. The first time we have ever seen the origins of the character on the silver screen. Drawing heavily on seminal works such as Year One, Christian Bale as Wayne is as convincing as you can imagine. Bale’s previous dramatic work – the most recent to the time of production being ‘The Machinist’, lends him a huge hand in effectively capturing the torn billionaire.

Deeply affected by the shocking death of his family, and later the killing of their murderer – Bale’s expressions in these particular areas of the movie suggest a deep nuance and affinity with the character. He’s a man broken, but seeks the means and reason to fight back. As Batman, the difference is chalk and cheese. Truly haunting, physically imposing, and a menacing presence – Batman is at his most darkest ever, let alone his most brutal. Bale, delivers an astounding performance.

Without noting on all support, these are the more standout shows for the film. A bit rough around the edges – Liam Neeson, is relatively solid and gives an almost token turn as Ducard. The driving force behind Bruce Wayne’s ascension to his destiny as Gotham’s saviour, and though not physically powerful, he cunningly exploits the darkest parts of Wayne’s soul during his training in the mountains. Fuelling him with a rage and determination to see injustice undone. Subsequently, Ducard is more than what he seems – And in the movie’s 3rd act, becomes a wedge between Batman and the protection of Gotham City. Certainly not a huge feather in the cap for the Irish Oscar winner, but rather maintains his status as one of Britain’s most important exports in the slightest of all manners.

Batman is no short of allies. Nolan vet, Michael Caine is the dedicated butler, Alfred. Not only acting as Batman’s closest confidant, but also a father figure for the orphan. Offering sound advice through subtle sarcasm all the way to harsh home truths. It’s a definitive portrayal of the character, and certainly one of key castings. Caine is bloody great. And his chemistry with Bale is fluid and does not slack at any point. Further adding the acting masterclass is everyone’s favourite voice, Morgan Freeman. As Batman’s armourer in the R&D section of Wayne Enterprises, Freeman’s significance in the film as a whole is redundant, save for the few scenes he is in. Though it is a safe, sound and justified casting decision with the performance given. The pivotal support is supplied by Gary Oldman’s Jim Gordon – a perfect casting and a real empathy-laden turn. Gordon’s side story of his progression through conspiracy and oppression within the ranks of the GCPD is a fitting accoutrement to the main narrative. One of Oldman’s better performances in recent memory.

Nolan’s vision was to bring the character back to reality. With the minimal use of CGI, and the relying on miniatures for action pieces. Executed beautifully by the effects team is the film’s finale, the climactic tussle between Batman and Ra’s Al Ghul aboard the Gotham Monorail. The fight scenes are abundant as you would imagine throughout the film’s entirety, introducing a close-combat fighting style practiced by Bale himself, popularised around the time of production. Meriting the character of Batman, his physical strength and reputation for taking down bad guys by the numbers. Many of these scenes showcasing a flowing, fast-paced method of combat. It’s awesome to watch with the complex and expertly timed editing of shooting.

In closing, though not perfectly cast and arguably clunky from a story point of view in a very minimal scale… This film is brilliantly written and directed impeccably. It’s a testament to Nolan’s rising star in Hollywood. A must-see.

8.5/10 


Nolan Month – ‘My Top 10 Best Scenes’

"I'm...so...ronery"

Whether it be visually compelling to behold, or thematically intense – Christopher Nolan has proven to be artistically in touch with his craft. With an already stellar, though small catalogue of films to his name, there are a host of memorable scenes in all. Some of which have been etched permanently in the minds of film buffs… These are the most prominent in mine.

10. The Telephone Confession (Insomnia – 2002)

This scene stood-out for me in then entire film. There’s no score in the background and still remains gripping. It fully relies on the dialogue between the killer, Finch (Robin Williams) and Detective Dormer (Al Pacino). As Williams coldly retraces the events of his killing.

09. “The Power of Fear” (Batman Begins – 2005)

A scene I’ve once before cited as a personal favourite. In Nolan’s groundbreaking foray into comic book lore – A lost Bruce Wayne (Christian Bale) confronts mob boss Carmine Falcone (Tom Wilkinson), who isn’t going to budge without a fight. Though it is a flashback – it is a pivotal scene that sets in motion Bruce’s desire to re-assess his life.

08. “Are you watching closely?” (The Prestige – 2006)

By no means do I regard this scene highly by its aesthetics, but it is a welcome departure from the film’s more opaque hue.

07. “How can I heal?” (Memento – 2000)

Leonard (Guy Pearce) reflects on the loss of his wife in a stark realisation of how time can never heal his pain. Unsettling, yet beautiful.

06. Revolving Corridor (Inception – 2010)

Visually outstanding. On Yusuf’s dream level, their van descends down a hill after being chased off the road by Fischer’s projections. While on the next – Arthur’s dream, he (Joseph Gordon-Levitt) goes toe to toe with a dream thug in a corridor that begins to revolve – accentuating the effects of the car-roll. It’s simple logic, but damn fucking effective. It’s absolutely amazing how they pulled this off so convincingly well.

05.  Dent’s Last Stand (The Dark Knight – 2008)

Nolan caps off his first Bat-sequel with this intense stand-off between the fallen Harvey Dent, Jim Gordon and Batman. This one simply speaks for itself…

4. Pen & Paper Handy (Memento – 2000)

Memento has been probably my least favourite Nolan film for some time. Its complex narrative and some areas of direction made it extremely difficult for me to enjoy the film, though the performances are nothing short of brilliant. In this scene, considered by many to be the best of the entire film. Leonard’s desperation is a great representation of his condition, its effects and how they are slowly feeding into a crippling paranoia. As evident through one of many internal monologues.

03. Dream Construction 101 (Inception – 2010)

Dom Cobb (Leo Di Caprio) introduces Ariadne (Ellen Page) to the world of shared dreaming…

02. The Interrogation (The Dark Knight – 2008)

Done to death. But it’s a scene that will live with me forever. Tense, dramatic, even funny at times. Direction from Nolan and cinematography by Wally Pfister really at its best.

01. ‘The Prestige’ (The Prestige – 2006)

The big reveal… The riddle is finally solved, as Christian Bale’s Borden proudly unravels the mystery that structured the entire movie – in conjunction with a montage recapping his lifelong devotion to his greatest illusion. While a soon to be mortally wounded Angier (Hugh Jackman), recoils, stunned. Fucking awesome.


‘Celluloidical: First Year Anniversary’

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So I’ve recently surpassed my first year blogging, and I really wanted to do something big for the anniversary month. With little debate, I’ve decided to dedicate the next 4-5 weeks to Mr Christopher Nolan.

The works of ‘The Man Who Can Do No Wrong’ have amassed an enormous amount of recognition and reward throughout the last decade. Gaining respect from film fans the world over and fellow peers in modern cinema today.

The British filmmaker has redefined the method of storytelling in Hollywood, and is fast becoming one of the great auteurs of this generation…. So this is going to be my little way of saying thank you.

I’ll be posting reviews of some of Nolan’s work, features and character studies – Additionally there may be the odd countdown. Everyone seems to dig those!

Anyway, thanks to anyone who’s visited and supported the page.

Scott


‘New Release Nonsense’

"CAROL AAANNNE - DON'T STEP INTO THE LIGHT!"

 
Ah 2012, a year which will bring us a return of Middle Earth, a pseudo-Alien prequel, Christian Bale’s severed spine and a ragtag team up of immense nerdish proportions. Not to mention our impending deaths, whatever. Here, I rundown my personally most anticpated movies for this year.
 
1. Django Unchained (dir. Quentin Tarantino)
 
Admittedly, I’m not a great lover of Tarantino – albeit two of his movies. But the premise behind this latest offering , a tale of a slave’s revenge with the flavour of a spaghetti western, is extremely enticing  – and has begun to build up a credible cast list. This could be a sure fire classic. Get ready for thrills, spills and slick one-liners by the barrel-load!
 
2. Prometheus (dir. Ridley Scott)
 
A massive movie event for any film lover. One of cinema’s great auteurs, and awfully jolly nice chap Ridley Scott finally returns to the genre that defined a generation. While we’ve seen the first teaser, a quick-cut montage harkening back to the visual and horror elements that a certain movie called ‘Alien’ included… It’s safe to say that this is most certainly a prequel to the sci-fi classic that will usher in a whole new audience of fans, and, we hope, deliver a faithful testament to the Alien legacy. 
 
3. The Hobbit – An Unexpected Journey (dir. Peter Jackson)
 
Probably on the top of my list. This really is the big one people. Our Peter returns to Middle Earth with Tim from The Office and that bloke from Robin Hood for the big screen adap of Tolkien’s yarn of a young Hobbit’s adventure to the Lonely Mountain. The first trailer, introducing us to Bilbo Baggins and his 13 dwarf companions, and also reacquainting the more nostalgic folk with the returning Gandalf (Ian McKellan) and Galadriel (Cate Blanchett) has got me fired up to unfathomable levels. Get some more cabinet space, Mr Jackson, I smell a busy awards season for you.
 
4. The Avengers (dir. Joss Whedon)
 
Geekdom shall rule come early May when Robert Downey Jr, Chris Evans, Chris Hemsworth, BAMF Samuel L Jackson et al team up in Marvel Studio’s biggest picture to date. Story leaks have been few and far between, but some early screen shots and a couple of nifty teasers that are doing the rounds gives the impression to me that this movie could either be a super failure or a super success. My concern for this one is the dynamics… How the hell are all these egos going to work on one stage? Time will tell… Either way, there’s some serious money going into some seriously fat pockets.
 
4. Total Recall (dir. Len Wiseman)
 
Eww, remake…. Fuck this for a laugh. But seriously though – I’m rather on the fence for this one. Colin Farrel assumes the role made famous by Arnie in Paul Verhoeven’s 1990 sci-fi cult classic, while Underworld director, Len Wiseman takes the helm. I’m very cautious about how they treat this visually, since the original was stunningly complex vivid in its images and effects. I’ll keep my eye on this one. GET DOWN!
 
5. The Dark Knight Rises (dir. Christopher Nolan)
 
The man who can do no wrong brings us his closer to one of the most succesful franchise revivals in recent history. For Batman’s curtain call – Christian Bale squares off with Tom Hardy’s ‘Bane’ – a terrorist seemingly hell-bent on destroying Gotham City and crushing the legacy of The Bat in turn. The 6 minute prologue introducing us to Hardy’s villain, had the world in a moment of pure hysteria… The subsequent trailer? Off the fucking chain. July cannot come any sooner.
 
So, what’s top of everyone else’s 2012 list? Please comment below or like this post. I appreciate any feedback. Thanks for reading!

Top 20 Batman-On-Film Moments

I don’t wanna cause a Bat-overload on here – as my last review was Batman Returns. However in light of the last 24 hours on Twitter, and the reveal of a new promotional image for the final film in Christopher Nolan’s trilogy, The Dark Knight Rises – I thought I’d use this Sunday afternoon to countdown my top 20 Batman moments on film to date…. Just to ease whatever tension 🙂

20. Rachel Dawes using the tazer on Scarecrow (Batman Begins)

Late in the movie, Dr Jonathan Crane (Cillian Murphy) is busted out of Arkham Asylum by his ‘hired goons’, and goes to town on horseback. Only to be met by Rachel Dawes (Katie Holmes) and a nice dose of voltage to the kisser… Ouch!

 

 

 

 

 

 

 

 

 

19. “What A Day…” (Batman)

Presumed dead after the incident at the chemical plant, Jack Napier (Jack Nicholson), now ‘The Joker’, visits his old boss, Grissom (Jack Palance) – seeking out retribution

18. Catwoman’s Origin (Batman Returns)

After being murdered by boss Max Shreck – Timid secretary, Selina Kyle (Michelle Pfeiffer) gets a taste for milk as she arrives back at her home after being revived by numerous stray cats. Never really ‘got’ the whole idea of this, but Tim Burton and the insatiable taste for the supernatural go hand in hand. Anyway, unnerving scene ahead

17. Playing The Odds (The Dark Knight)

Commissioner Loeb’s memorial service implodes into chaos, leading to District Attorney Harvey Dent (Aaron Eckhart) apprehending one of Joker’s henchmen and showing a certain side of his personality that would eventually dominate him. Tension by the barrel and an impressive performance by Eckhart.

16. Power (Batman Begins)

Bruce Wayne (Christian Bale) returns from Princeton University and confronts mob boss Carmine Falcone (Tom Wilkinson), proving to be the catalyst for Bruce’s desire to seek out vengeance on organised crime in Gotham. A pivotal plot point in the entire film and a great scene directed by Christopher Nolan.

15. “Never rub another man’s rhubarb!” (Batman)

Funny shit! The Joker deals with a crazed Bruce Wayne the only way The Joker can…

14. Carrey’s Riddler (Batman Forever)

Batman Forever is without a doubt one of the more disappointing films in the series. But I’ll be honest… I loved Jim Carrey as The Riddler. Sure he’s campy as hell and it probably didn’t please the fanboys. But I love Carrey and he does what he does best here. There you go, shoot me if you wish. http://www.youtube.com/watch?v=qJit_tLOV7E&feature=related

13. The Will To Act (Batman Begins)

Liam Neeson’s Ra’s Al Ghul begins his training for Bruce in the mountains. Using the art of ninja and methodically delving into Bruce’s dark past. A superbly edited sequence.

12. Robin Revealed (Batman Forever)

Again, a bit of a guilty pleasure. Remembering my favourite character, Robin, from the amazing Batman: The Animated Series, I couldn’t wait to finally see Robin in the flesh on the big screen. Sure, it’s a cheese worthy performance looking back – but the scene where Dick Grayson (Chris O’Donnell) in costume descends the flight of stairs into the Batcave really was one of the high points of my childhood.

11. “I Am The Batman” (The Dark Knight)

Harvey Dent makes the ultimate sacrifice in light of The Joker’s continual reign of terror. Another stellar scene showcasing the talented Aaron Eckhart

10. Ohhh, what a world! (Batman)

No secret that Jack Nicholson portrayed The Joker to sheer delightfully wicked perfection in Tim Burton’s 1989 film. As Kim Basinger throws water in the face of Napier after he torments her, he retaliates in the most appropriate way possible… 🙂

09. No Need To Thank Him (Batman Begins)

After successfully defeating Ra’s Al Ghul and The League Of Shadows, Batman visits Jim Gordon – where the newly promoted Lieutenant voices his fear of escalation in the criminal world. But Batman declares they will find a way, working together. As Gordon produces the calling card of a certain Clown Prince of Crime – we are left in anticipation of what Mr Nolan has in store for us.

08. The Bat Vs The Cat (Batman Returns)

Batman (Michael Keaton) nearly gets his ass handed to him… Then he gets molested… Then he gets nailpoked, go figure.

07. Bank Heist (The Dark Knight)

Filmed in IMAX, Nolan’s prologue to the greatest superhero movie ever gives us a brief taste of things to come. And of course introduces us to Heath Ledger in a defining performance as The Joker.

06. Flass Attack (Batman Begins)

Batman continues his relentless assault on the mob, as well as bent cops. After robbing a food vendor, Detective Flass gets his just desserts as The Dark Knight terrifyingly demands for information. A scene that shows the ‘fear’ that Bruce wants to instil in his enemies.

05. Harvey Two-Face (The Dark Knight)

Another brilliant scene from Nolan’s sequel. While recovering in hospital after the warehouse explosion – Harvey Dent is visited by Gordon, who is attempting to uncover the trace of events. The new Commish is awkward and uneasy in his questioning, and Harvey doesn’t take the bait. Before he finally reveals his horrific injuries to Gordon and vowing vengeance against him. Two Face is born.

04. Starting Tonight (The Dark Knight)

Heath Ledger purely inhabits and revels in his role as The Joker. This scene, filmed on a handheld camera, shows our favourite clown with one of Batman’s copycats tied up and beaten – while Joker threatens Gotham and its citizens on the news. Ledger’s knack to deliver such contrasting and vivid elements to his performances is simply mind-blowing.

03. “Gotham needs its true hero” (The Dark Knight)

The final scene from the film. Jim Gordon, reeling over the murders committed by Harvey Dent and the subsequent ramifications, is taken aback when Batman declares the blame be put upon him. As Harvey must remain a beacon of hope for the city – even in death. While Bats rides off, Gordon calls in a squad to pursue the Batman. Gordon Jr asks his father why he has to run from the police… and Gary Oldman then delivers a closing monologue that has become one of my favourite quotes of the last decade. http://www.youtube.com/watch?v=psSGVhTd0i8

02. Punchline (Batman)

Batman finally gets his hands on The Joker, who is still insistent on laughing in the face of adversity – even to the end. Jack Nicholson truly at his finest…

01. The Interrogation (The Dark Knight)

Of course, what else would it be? A dazzling performance from Heath Ledger and Christian Bale. It’s relentless and intense as can be as Batman nearly reaches breaking point through The Joker’s provocation and constant taunts . A scene that made Ledger’s posthumous Oscar a thoroughly deserved one.


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