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#5 ‘District 9’ (2009)

Get on the barby... Time for munch

 

Cast:-

*Sharlto Copley

*Jason Cope

*David James

Director:- Neill Blomkamp

Distrct 9 is a feature film evolved from the 2005 short – ‘Alive In Joburg’, directed by Neill Blomkamp. It tells the story of a stranded Alien race, who have been forced to live in sheltered, monitored camps overseen by the South African government and military. And of course, their struggle to return to their home world.

I watched the film when it was first released in cinemas in the UK, and I found it a very enjoyable film. The factors were mainly down to its setting and not adhering to the generic big USA city locations that we’re used to seeing on sci-fi/action movies. Not to mention that the film was extremely well-produced for only a budgeted $30 million dollars. I didn’t really take the time to pick out much in terms of the performances of the actors, or any underlying plot points that I may have missed out on.

I watched it again, twice in the last 10 days.

It’s absolutely astounding how a strong, positive opinion on a film can change with repeat viewings.

It’s really difficult to pinpoint one thing that District 9 struck badly with me. It’s a lot of small, niggling little aspects that began to grate slowly and steadily against my quarter-century brain. Again, minimal/hardly any spoiler here while I carefully dissect this one.

The main character is African bureaucrat for a private military company, Wikus (last name I will not attempt to spell), who is charged with the duty of unceremoniously removing the alien immigrants from their location in District 9, to District 10. But after an accident at one of the shelters, Wikus begins to resonate and form an understanding with the aliens (derogatorily nicknamed ‘prawns’ due to their similarity in appearance), and also is faced with their own struggle. Copley, who portrays Wikus in his firs big acting role, brings a degree of humour to his character’s obviously difficult mission, but his lack of experience in this kind of big(ish) budget flick does show very prominently. It was enough to bag him a role in A-Team, but I’m almost certain that this will be a serious case of typecast Hollywood. It’s a real shame.

The most obvious thing that was completely oblivious to me at first viewing, was that District 9’s story is such a tried a tested formula. Although it has been tweaked in places to give an audience the impression that it was something completely fresh and original. It really, really isn’t.

From the outset, we see a holding camp for aliens that crash landed on Earth…. That’s the straight-to-the-point concept and story of the movie, it’s what we have to go on. It IS an interesting take on a tale that has been told for decades.

 However, there’s a broad, or more obvious hint that the structure of this film is built around the concept of several different genres of film and camera work. From the beginning, District 9 appears to take an almost ‘mockumentary’ tone – With a lone cameraman supported by crew that follow Wikus as he visits the camp accommodation of the stranded species. Which is what I initially perceived this film to progress with. Almost without warning, the film then takes a different spin, and the narrative is akin to sci-fi television programme ‘Alien Nation’. Where we see the ‘prawns’ living their lives in Johannesburg through conventional camera work.

The film (minor spoiler) culminates with a CGI, Transformers style battle sequence. Which further ‘alienates’ (heh heh) us from what this film is really trying to be, let alone what message it’s attempting to give.

I can say what I want about blatant plagiarism, stolen ideas, homages etc. But District 9, aside from its huge merits in some areas of originality, interesting concepts and ideas – seems to be a confused, muddled mess of a sci-fi drama (or actioner, or documentary – you decide…). Without much emotive support from non-lead cast, or convincing reasonings behind the actions of the antagonists – it’s a fairly watchable couple of hours for a non-repeater.

6/10